Art & Design post 1880

including examples by David Eeles, Ray Finch, Stephanie Kalan and others (12) 

Provenance: The Walter Fletcher Collection of Studio Pottery

stoneware, the globular body decorated with repeating white stripes against a brown ground, 20cm high; together with a similarly decorated small bowl (2)

Provenance: The Walter Fletcher Collection of Studio Pottery

red earthernware, decorated using the wax-resist method, 16.5cm high

Provenance: The Walter Fletcher Collection of Studio Pottery

glazed with stylised decoration, 43.5cm high approx (excl. fittings)

circular form, with cylindrical bone handle, circular pan, raised on three ball feet, markers mark and number 4876 to the underside, 15cm high (lacking drip pan and snuffer/striker)

c.1993, globular form with straight wooden turned handle, wooden detachable ball cover, surmounted on a turned wooden stand, and a pair of canisters, of similar form, unmarked, 27.5cm high.

Note. Original design drawings held in the V&A, Museum no. E.641-1998 

Provenance: Private Collection, Wiltshire

stamped to base; together with a similar 6" example (2)

signed and dated 1981, plaster, 60cm high

the big cat depicted walking on a naturalistic rectangular base with canted corners, bronze, raised on a marble plinth 43cm long x 21cm high overall

cream painted finish and raised on a stepped base, stamped "Made in England by Herbert Terry & Sons Ltd, Redditch" and 'The Anglepoise pat in UK and abroad"

the chrome body with five branches and five spikes emanating from a central globe, 62cm high

the column with central globular 'ball' above a circular base, 49cm high

the chrome body holding numerous cascading drops of capiz shells, 60cm high

the oak cabinet with a glazed door opening to reveal a variety of different handles on false drawer fronts, 80cm x 55cm x 13cm

a lead-covered roundel plaque, cast in relief with a central fawn framed by a decorative garland border, signed and dated 1914 lower right, 44cm x 42cm

Literature:Page 41 of Hayward & Atterbury`s `Poole Pottery`, Richard Dennis, Somerset, 1995 details a lead example made for the Arts and Crafts Society`s exhibition at the Royal Academy in 1916 and 1920

largely London salesrooms, mainly concerning the Decorative Arts

London: Jonathan Cape, 1964 edition, facsimile dust jacket

London: Jonathan Cape, 1961 first edition, first impression, publisher's cloth lettered in gilt with impressed skeletal hand to front, facsimile dust jacket

London: Jonathan Cape, early 1958 first edition, first impression, first state copy, publisher's cloth lettered in silver to the spine with plain black boards, ex library

London: Jonathan Cape, 1956 first edition, publisher's cloth lettered in silver to the spine with repeating diamond motif, facsimile dust jacket

the central green dish with brass band from which emanates four branches each with Tiffany style glass and lead shades, each approx 90cm wide

in the Art Nouveau taste with scrolling foliate body, possibly a billiard table light, approximately 155cm wide

the buff ground with central sunburst design and two-tone green accents, 112cm dia.

with repeating geometric motif against a bright orange ground, 235cm x 170cm

the triptych mirror with adjustable side plates above the top with inset bevel edged mirror plate, single frieze drawer and conforming legs, 146cm high, 84cm wide, 43cm deep

c.1940s, of circular form, the scrolling structure joined by a ring stretcher with repeating quatrefoil cut outs, on four legs, the top 69cm dia., 51cm high

the parcel-gilt bronze supports modelled as seated figures, the later glass top with canted corners, 213.5cm long 102.5cm wide x 76cm high

the form taking inspiration from Charles Rennie Mackintosh and with Chinese style back splats, two carvers, 121cm high, the carvers 60cm wide across the arms, the standard chairs 49m wide across the seat (8)

with black aniline plywood back and seat on chrome tubular body, the shock mounts marked with the Hermann Miller logo, 66cm high x 53cm wide x 64cm deep

the rectangular top with canted corners raised on four pairs of conjoined tubular legs, 120cm square, 39cm high

the sideboard with three drawers, twin cupboards and single fall front cupboard, 229cm wide, 66cm high, 48cm deep; the dining table with two additional leaves, 257.5cm long (fully extended) 151cm long (closed) 96cm wide, 72.5cm high

teak frames with Danish paper cord strung seats, stamped to the underside, 80cm high, 48cm wide, 47cm deep (6)

after the design by Arne Jacobsen, with 'riveted' chrome outer shell and leather squab cushion, with swivel and reclining seat, each 113cm high x 80cm wide

teak framed with 'cognac' button back leather upholstery, the sofa approx. 196cm wide x 85cm deep x 90cm high; the armchairs each 96cm wide x 85cm deep x 90cm high

chrome body and 'cognac' leather upholstery, the settee, 112cm wide x 79cm deep x 65cm high; the armchair 58cm wide x 79cm deep x 65cm high

59cm across the arms, 64cm deep, the larger chairs 100cm high, the smaller chairs 86cm high

the segmented glass panels with foliate decoration, some with colour, 165cm high x 100cm wide. Provenance: Acquired from the Walker Gallery, Harrogate, North Yorkshire, 25th April 2001, for £3,650

with a two tone upholstery of grey and blue, with open backs, on tapering wooden legs

Provenance: The Devonshire Club, Spitalfields, London

with two-tone green and bronze fabric, on wooden legs

Provenance: The Devonshire Club, Spitalfields, London

thirty three rolls of "high quality pre-trimmed non-woven paste-the-wall wallcovering", Aix design, neutral colour palette 240cm x 70cm (33)

Provenance: The Devonshire Club, Spitalfields, London

with a repeating wave pattern against grey ground, 327cm x 200cm

Provenance: The Devonshire Club, Spitalfields, London