Fine Art & Antiques

signed lower right, inscribed verso "by Neogrady Laszlo July/Aug 1937, Budapest" oil on board, 24cm x 34cm

engraved for Dugdale's "England and Wales Delineated" together with a collection of other maps, mainly concerning Buckinghamshire, all framed and glazed (13)

31cm x 44cm

handcoloured map of the county of Hertfordshire, 28cm x 35cm

Folio Society, 2008 - 2013, all with blue card cases; and KING (DEAN), A Sea of Words, Henry Holt & Co., New York, 1995

vol.I first issue signed by the author, Point Publishing; vols 2 & 3, Scholastic Press; original boards, dust-jackets, 8vo 1995-2000

"Ireland appeased and redvced, or An Historie of the late VVarres of Ireland, efpecially within the Province of Movnster, under the Government of Sir George Carew Knight, then Lord Carevv of Clopton, and Earle of Totnes". Printed by A.M.1633 London, the gilt leather spine inscribed " PACATA HIBERNIA"

2 volumes, (The Age of Oak, The Age of Satinwood), Lawrence & Bullen, 1904 & 1908, uniform publishers original gilt decorated red cloth, boards & spines; The Age of Mahogany), Lawrence & Bullen, 1938, a slightly smaller edition, similar red cloth boards and spine

Lenygon (Francis), 'Furniture in England From 1660 to 1760' and 'Decoration in England 1660 to 1760', published by B.T.Batsford, London, 1920, red cloth boards and spines; and various other reference works for English furniture

a paper back booklet, dated 1844 Paris, together with " An Acidence or Gamut of painting in oil" by Julius Caesar Ibberton, published by Harvey and Darton, Grace Church-Street 1828, and " Elements of painting with crayons" by John Russel, second edition with additions, printed by J Wilkie, in St Paul's Church Yard 1777 (3)

printed for F Nutt, near Stationers-Hall 1706, board and leather bound, together with "A Treatise on the Art of Painting", translated from the French of M. Constant De Massoul 1797, board and leather bound and "Handmade to the Arts" 1757, leather bound (3)

TO INCLUDE; DICTIONNAIRE PORTATIF D3E PEINTURE, SCULPTURE ET GRAVURE PAR DOM ANTOINE-JOSEPH PERNETY (2 VOLUMES ) Polygraphice of The Arts of Drawing, Engraving, Etching, Limning, Painting, Vernishing, Japaning, Gilding, etc. Eigth edition London (in two volumes- only Volume 1); Anecedotes of Painting in England, collected by the Lare Mr George Vertue 4th Edition London M.DCC.LXXXVI (Volume 1); An inquiry into the Beauties of Painting 3rd edition London MDCCLXIX by Daniel Webb Esq; Practical Treatise on Pain

seven volumes, full Morocco bound, gilt lettering to spines, Vols 1-4, 6,7 & 9, dates from 1788 - 1800

19th century, with carved diamond-shaped head and leather entwined grip, 80cm long

Provenance: From a private Norfolk house.

One with mother of pearl inlay decoration. The larger of the two 39cm Long and and the smaller 33cm long

late 19th century, c.57cm dia.

late 19th century, with carved and reeded head, 65cm long

late 19th century, with carved face, c.92cm long

circa 1825, of rectangular form, the top with twin associated glass ink wells either side of a raised foliate cast bar handle, concave pen recesses to front and back, the frieze drawer with ring handle flanked by anthemion mounts, on four winged paw feet, 17cm high; 37cm long; 26cm wide

Provenance: Formerly in the Collection of the Christie-Miller family at Clarendon Park, Wiltshire.

early 19th century, of urn form, and oval section with everted rims and fluted bodies, the fronts each modelled with a swagged armorial shield bearing a cross potent, the reverses each with a rectangular attachment lug, on waisted socles, the rectangular bases each inscribed COADE. LONDON at one end, 26cm high x 33cm wide x 27cm deep

second half 19th century, comprising twenty-four turned sycamore glass holders, all of tapering cylindrical form, with either transfer printed or photographic topographical views, all but three containing glasses; a French example, similar; and various other cylindrical cases, some leather, the largest Mauchlineware example 10.75cm high

One rectangular with two pierced carrying-handles 76 x 46.5 cm; the other oval with hinged edges with pierced handles 88 x 67 cm. (flat); the x-frame stand with one unattached strap, 92 cm high closed

late 18th /early 19th century, of cylindrical form with multi-knopped and waisted exterior, 15cm high, 13.5cm diameter

probably early 19th century, the cylindrical mortar with knopped and line incised exterior on a waisted stem and circular foot, 14cm high; the knopped pestle, 23cm long

circa 1880, of coopered construction, with staves of fruitwood and possibly holly bound with willow, beneath a hinged cover carved with oak wreath, the handle and spout gilded, 25cm high, 29cm wide

circa 1870, of rectangular form with sloping, hinged cover and swing handle at each side, the interior with maker's plaque for 'DIMMOCK, Norwich', 19cm high, 26cm wide

adapted from a dressing table mirror, mid 18th century, the fall front opening to lopers, with fully fitted interior, above a drawer; one loper inscribed 'THIS CHILDS DESK WAS GIVEN BY ONE OF KING GEORGE III DAUGHTERS, FROM AN XMAS TREE AT WINDSOR CASTLE...', a letter with the lot further detailing the presumed provenance, 19.5cm high, 35cm wide, 28cm deep

mid 19th century, of rectangular form, the canted sides and ends of each one with pierced apertures, the larger 9cm high, 43.5cm long, 36cm wide

first half 18th century, the hinged cover, back, front and sides decorated overall with foliate arabesques and geometric reserves in tortoiseshell and cut brass inlay, 9.5cm high, 32.5cm wide

circa 1815, of sarcophagus form, 9cm high x 18cm wide; a Scandinavian birch and bone kovsh, early 19th century, 15cm long; and a carved oak boss in gothic style, circa 1900, 12cm high (3)

mid 20th century, the fabrics arranged on an iron frame, with spherical finial and conical top, the drapes with tasselled edges at the opening, height: 230cm, width: 100cm.

18th century, depicting swans on a river and other birds and animals in a wooded landscape, with a palace in the background and a distant town, within a foliate border; later rebacked; 290cm high, 430cm wide

the work of Rebekah Hewson Moss, 1833, with moralising verse above a house, trees, birds and animals; glazed and with rosewood frame, 46 x 40cm overall

21st century, by Joanna Miller Tapestries, each depicting hunting scenes in a wooded landscape, one tapestry with minor discolouration, one tapestry 180cm x 255cm; the discoloured example 180cm x 260cm

20th century, depicting figures and animals in a bucolic landscape, with trees and a fountain; with original tag for 'ABC Carpets, Ney York' and retailed by 'Harrods of Knightsbridge'; 228cm high, 337cm wide

on a rectangular wood socle, 17cm high overall

circa 1865, inscribed 'P.J. MENE' in the maquette to the naturalistically cast oval base, 20cm high, 34cm long

mid 19th century, portrayed standing four-square, the rectangular base inscribed 'DUBUCAND' in the maquette, 11cm high, 12cm long

circa 1870-1880, portrayed with shield raised in his left hand, a gladus shortsword in his right hand, inscribed in the maquette 'BUILO' (sic) to the base, 23.5cm high

circa 1880, inscribed in the maquette 'h. Chapu' to the rectangular base, further inscribed 'F. BARBEDIENNE, Fondeur, Paris,' and with 'REDUCTION MECHANIQUE' stamp, 60cm high

mid 19th century, portrayed in Renaissance attire, inscribed 'E. PICAULT' in the maquette to the base, 36cm high

circa 1875, portrayed with head turned a little to sinister, in period attire, cast with a plaque above the oval base inscribed 'REMBRANDT', 16.5cm high

circa 1880, both inscribed in the maquette to the naturally cast bases 'P.J. MENE', on rectangular marmo nero Belgio socles; the former 15cm high, the latter 18cm high overall

circa 1875, her head turned to sinister, with loosely draped decolletage, stamped and inscribed 'R.G.' to the reverse, on a waisted socle and square base, 17cm high

possibly Ariadne, with putti, inscribed 'Gemignani', 28cm high, 35cm long

18th century, each modelled with a relief carved female bust rising from a twist entwined stem with foliate terminals, on rectangular backplates, 51cm high

late 17th century, with Abraham portrayed standing and holding a sword aloft, his son bound and kneeling on a plinth, in an expansive landscape with the ram to lower left and a flambeau urn to right; a separately carved but integral element showing clouds above; both elements later applied to a rectangular backboard, 77 x 77cm overall

naturalistically portrayed standing four-square, with inset glass eyes, 20cm high, 30cm long