Fine Art & Antiques

printed for F Nutt, near Stationers-Hall 1706, board and leather bound, together with "A Treatise on the Art of Painting", translated from the French of M. Constant De Massoul 1797, board and leather bound and "Handmade to the Arts" 1757, leather bound (3)

TO INCLUDE; DICTIONNAIRE PORTATIF D3E PEINTURE, SCULPTURE ET GRAVURE PAR DOM ANTOINE-JOSEPH PERNETY (2 VOLUMES ) Polygraphice of The Arts of Drawing, Engraving, Etching, Limning, Painting, Vernishing, Japaning, Gilding, etc. Eigth edition London (in two volumes- only Volume 1); Anecedotes of Painting in England, collected by the Lare Mr George Vertue 4th Edition London M.DCC.LXXXVI (Volume 1); An inquiry into the Beauties of Painting 3rd edition London MDCCLXIX by Daniel Webb Esq; Practical Treatise on Pain

seven volumes, full Morocco bound, gilt lettering to spines, Vols 1-4, 6,7 & 9, dates from 1788 - 1800

19th century, with carved diamond-shaped head and leather entwined grip, 80cm long

Provenance: From a private Norfolk house.

One with mother of pearl inlay decoration. The larger of the two 39cm Long and and the smaller 33cm long

late 19th century, c.57cm dia.

late 19th century, with carved and reeded head, 65cm long

late 19th century, with carved face, c.92cm long

circa 1825, of rectangular form, the top with twin associated glass ink wells either side of a raised foliate cast bar handle, concave pen recesses to front and back, the frieze drawer with ring handle flanked by anthemion mounts, on four winged paw feet, 17cm high; 37cm long; 26cm wide

Provenance: Formerly in the Collection of the Christie-Miller family at Clarendon Park, Wiltshire.

early 19th century, of urn form, and oval section with everted rims and fluted bodies, the fronts each modelled with a swagged armorial shield bearing a cross potent, the reverses each with a rectangular attachment lug, on waisted socles, the rectangular bases each inscribed COADE. LONDON at one end, 26cm high x 33cm wide x 27cm deep

second half 19th century, comprising twenty-four turned sycamore glass holders, all of tapering cylindrical form, with either transfer printed or photographic topographical views, all but three containing glasses; a French example, similar; and various other cylindrical cases, some leather, the largest Mauchlineware example 10.75cm high

One rectangular with two pierced carrying-handles 76 x 46.5 cm; the other oval with hinged edges with pierced handles 88 x 67 cm. (flat); the x-frame stand with one unattached strap, 92 cm high closed

late 18th /early 19th century, of cylindrical form with multi-knopped and waisted exterior, 15cm high, 13.5cm diameter

probably early 19th century, the cylindrical mortar with knopped and line incised exterior on a waisted stem and circular foot, 14cm high; the knopped pestle, 23cm long

circa 1880, of coopered construction, with staves of fruitwood and possibly holly bound with willow, beneath a hinged cover carved with oak wreath, the handle and spout gilded, 25cm high, 29cm wide

circa 1870, of rectangular form with sloping, hinged cover and swing handle at each side, the interior with maker's plaque for 'DIMMOCK, Norwich', 19cm high, 26cm wide

adapted from a dressing table mirror, mid 18th century, the fall front opening to lopers, with fully fitted interior, above a drawer; one loper inscribed 'THIS CHILDS DESK WAS GIVEN BY ONE OF KING GEORGE III DAUGHTERS, FROM AN XMAS TREE AT WINDSOR CASTLE...', a letter with the lot further detailing the presumed provenance, 19.5cm high, 35cm wide, 28cm deep

mid 19th century, of rectangular form, the canted sides and ends of each one with pierced apertures, the larger 9cm high, 43.5cm long, 36cm wide

first half 18th century, the hinged cover, back, front and sides decorated overall with foliate arabesques and geometric reserves in tortoiseshell and cut brass inlay, 9.5cm high, 32.5cm wide

circa 1815, of sarcophagus form, 9cm high x 18cm wide; a Scandinavian birch and bone kovsh, early 19th century, 15cm long; and a carved oak boss in gothic style, circa 1900, 12cm high (3)

mid 20th century, the fabrics arranged on an iron frame, with spherical finial and conical top, the drapes with tasselled edges at the opening, height: 230cm, width: 100cm.

18th century, depicting swans on a river and other birds and animals in a wooded landscape, with a palace in the background and a distant town, within a foliate border; later rebacked; 290cm high, 430cm wide

the work of Rebekah Hewson Moss, 1833, with moralising verse above a house, trees, birds and animals; glazed and with rosewood frame, 46 x 40cm overall

21st century, by Joanna Miller Tapestries, each depicting hunting scenes in a wooded landscape, one tapestry with minor discolouration, one tapestry 180cm x 255cm; the discoloured example 180cm x 260cm