Interiors

of rectangular form decorated with brass and mother of pearl inlay, the fitted green interior with silver plated and moulded glass perfume bottles above a long frieze drawer, Width 30.5cm, Depth 22cm, Height 17cm

the silvered dial with Roman numerals, and two subsidiary dials, "slow/Fast" and "Chime /Silent", the eight-day movement striking on a coiled gong, in a mahogany case with string inlay to the arch, 37cm high

one signed lower left, the other lower right, oils on canvas, each 30cm x 46cm

the pale ivory ground with a central floral medallion, within conforming borders and guards, at both ends the fringes have become frayed, 168cm long x 110cm wide

the oval drop flap-top on baluster turned legs, 75cm high x 48cm wide (closed) x 101cm long

the sconces supported by a reeded columnar stem, on a triform base with figural lions paw feet, 57cm high

second half 20th century, comprising an opposing pair and a third to match, all cast as entwining foliage, 48cm high including electrical fitments; and a pair of gilt metal single light wall appliques

last quarter 19th century, the cartouche shaped backrest with floral cresting, the armrests with scrolled terminals above scrolling supports, above serpentine and foliate carved rails, on cabriole legs to ceramic castors; upholstered in woven silk, 89cm high x 66cm wide

oil on canvas, 22cm x 31cm; and two further similar paintings (3)

20th century, the electrical fitments in urn sockets on branches issuing from backplates modelled as swags supporting ewers, 64cm high, 25cm wide

Width 39cm, Height 25cm

early 19th century, stamped 'GILLOWS & CO' to the right draw, on four reeded and tapering legs terminating on castors, Width 108cm, height 75cm, depth 56cm

late 19th century, with padded arm rests, Height 92cm, width 57cm

likely from the Denizli region, the two separate strands of kilim joined down the middle, providing shelter when draped over a support, both pieces striped with varying highly colourful geometric patterns, ending with a thick tasselled fringe, 390cm long (not including fringe) x 155cm wide

circa 1825, depicting a lady sitting in a garden holding an umbrella, with a verre eglomise surround in its original giltwood frame carved with acanthus leaves and shells to each corner, 37cm high x 30cm wide (without frame); 58cm high x 51cm wide (with frame)

signed and dated '39 lower left, ink and wash, 17cm x 29cm

signed and titled in pencil to the margin, woodblock print, 23.5cm x 29cm

circa 1840, each with a blade with foliate cast ends raised on a dome above dished, cartouche form bases, the openwork edges cast with Bacchic masks and panthers' heads, 12cm high x 45cm long

containing reproductions of Greek views, ancient Greek architecture and sculpture

with blue crossed marks to the base and factory rejection marks, Height of cup 5cm; plate diameter 14cm

a study of the chalk stacks and lighthouse off the coast of the Isle of Wight, signed lower right, titled lower left, watercolour, 42cm x 75cm

each signed and titled in pencil, watercolours, each 18cm x 56cm

the silk painted with floral sprays on a bamboo frame shaft and white metal handle decorated with foliage in relief, Length 62cm

Circa 1900, the spindle back above a rush seat on four tapering legs, Height 83cm; Width 44cm; Depth 42cm

19th century, Northern Indian, of octagonal form with bone and ebony inlay, Width 46cm; Height 40cm

32cms height

Probably Syrian, 19th century the lobed top on a baluster shaft on three formed legs, Height 60cm

with four divisions, scrolling sides above a long drawer on ceramic castors, Height 98cm; Width 62cm; Depth 40cm

19th century , the square top- above a single drawer, on cabriole legs, Height 40cm, Width 43cm

late 19th century, with a portrait roundel carved to the removable back rest, Height 91cm; Width 70cm; depth 46cm

of rectangular form with two adjustable shelves, Width 142cm; Height 113.5cm; Depth 37cm

19th century, decorated with gilt metal mounts on four tapering and reeded legs, 155cm high x 72cm wide x 40cm deep

19th Century stamped 'HOLLAND AND SON' to the right drawer, the rectangular moulded top above a pair of frieze drawers, on four turned legs ending in castors, Width 107cm; Height 75cm; Depth 57.5cm

first half 19th century, with a green baize lined interior above a scrolling frieze, fluted shaft on a quadriform base, terminating in ceramic castors, H 75.5cm, W 88cm

signed lower left, oil on canvas, 43cm x 78.5cm

circa 1875, the top section glazed, containing two shelves flanked either side by caryatid ormolu mounts, below to central porcelain plaques, one depicting a child the other the profile of a lady, the larger bottom section contains a large central plaque with ormolu surround depicting romantic scenes, directly after painter Jean-Antoine Watteau (1684-1721) below a smaller plaque after the same artist,, the one compartment containing a fitted velvet interior, on a pedestal base terminating in bracket feet

19th/20th century, of rectangular form carved with foliage, on stepped bracket feet, Width 100cm, Height 57cm; Depth 51.5cm

in the manner of Gillows, the formed oval upholstered backs carved with motifs, above a shaped and upholstered seat, on front turned and tapering legs, terminating in castors, splayed back legs, Height 93.5cm; Depth 56cm; Width 50cm

'BF' monogram lower right, watercolour, 14cm x 27cm; together with a similar view of figures in a landscape 'Boxhill from Westcott', unsigned, watercolour, 14cm x 17cm (2)

the upholstered balloon backs, above a shaped upholstered seat on front fluted and tapering legs, back legs splayed, 91cm high x 51cm deep x 46.5cm wide

with broken swan neck pediment and scrolling apron, Height 51cm, Width 45cm

decorated with silver inlay, one depicting a fish, one engraved to the back '60g silver ROBERT WOODS ELSHARKY' (3) Diameter of the largest 40cm

with a quarter veneered and cross-banded top, one long drawer below a brushing slide, on cylindrical tapering legs terminating on club feet, Width 77cm; Height 70 cm; Width 47cm

of Sheraton design, the two tiered buffet above a marquetry inlaid base with two fitted compartments, on four sabre bracket feet, Height 127cm; Width 107cm; Depth 40cm

20th century, with a brass base, and cast iron scrolls depicting a dragon to either side, Width 142cm

19th/20th century, decorated with mythical beasts in relief, Height 11.5cm

in the manner of William Morris (1834-1896), 20th century, with scrolling foliage on a grey ground, Height 233cm; Width 156cm

of lobed oval form, on a baluster shaft, on four cabriole legs, Length 142cm; Width 106cm; Height 73cm