Interiors

signed lower right, watercolour, 25cm x 23cm

20th century, the top painted with horns of plenty, with projecting front ears, the panelled doors beneath opening to a shelved interior, on tapering turned legs, 86cm high x 85cm wide x 38cm deep

signed and dated 1685 in plate lower left, etching, the image 24.5cm x 32.5cm

early 20th century, with turned back splats above a rush seat, on conforming turned legs and stretchers, 68cm high x 60cm across

early 20th century, modeled after a long wheel-base Jeep, with a matching petrol can, rusted throughout, 110cm long x 44cm wide

2010, Number 634, part of the 'Old No 7' series, oil on canvas, 60cm high x 49.5cm wide

19th century, the quarter veneered oval top centered by an inlaid floral spray, on a baluster turned stem and heavily carved legs, with inset brass castors, 75cm high x 145cm wide x 108cm deep

with bold geometric and stylised foliate decoration, 37cm wide

monogrammed lower right, pen and ink, 18cm x 17cm

early 20th century, the galleried top section with shelves and small cupboards flanking the central beveled mirror plate, beneath the hinged front panel of the top surface opens to reveal an inset leather writing surface, with an arrangement of drawers below, on tapering legs to brass castors, 110cm high x 100cm wide x 45cm deep

19th century, with graduating drawers over a shaped apron, on outswept bracket feet, 105cm high x 105cm wide x 52cm deep

measuring 18cm by 13cm

20th century, the dentil moulded pediment above an astragal glazed top section, with a cupboard beneath, opening to a shelved interior, on shaped bracket feet, 181cm high x 65cm deep, 45cm back to front corner

with path to the foreground and castle to the distance, coloured chalks, 26cm x 40cm

early 20th century, with recesses to the top containing inkwells, with brass sliding covers stamped 'Andrew Bentley Ltd.', on block legs, 52cm high x 92cm wide x 46cm deep

the rim with incised decoration, 23cm diameter

watercolour, 27cm x 22cm; together with a quantity of similar studies and botanical prints (8)

1912 'New' edition, publ. Hodder & Stoughton, London; together with a copy of the 1907 second edition and a copy of the 1907 third edition; and a copy of 'Peter and Wendy' (no edition number or date printed) with illustrations by F.D. Bedford (4).

20th century, with gilt tooled leather inset writing surface, above a series of short drawers, on shaped bracket feet, 75cm high x 121cm wide x 63cm deep (Some drawers are locked and the key is missing)

monogrammed lower right, gouache on black paper, 62cm x 37cm

painted in tones of underglaze blue with stylised flowerhead motifs, 32cm diameter

19th century, the oval tilt-top quarter veneered with burr walnut, on a baluster turned stem, to outswept legs, ending in brass feet and castors, 74cm high x 150cm wide x 106cm across

moulded in relief with swans and heron with fish, within a floral border, painted in polychrome and highlighted with gilding, 23cm; and a Dresden-style floral encrusted basket (3)

early 20th century, 48cm high x 35cm across

the Goddess of flowers and Spring depicted standing full-length, her arm resting on a basket and her cornucopia beside her, ink and sepia wash on paper, 26cm x 20.5cm

20th century, with scrolling arms, on tapering fluted legs, 89cm high x 64cm wide x 70cm deep

'Rackham's illustrated versions of 'A Christmas Carol' by Dickens, 'A Midsummer Nights Dream' by Shakespeare, 'The Springtide of Life, Poems of Childhood' by Swinburne and 'The Ingoldsby Legends'; and Dulac's illustrated versions of 'The Tempest' by Shakespeare, 'Stories from Arabian Nights' and Dulac's Picture Book for the French Red Cross; together with a copy of Maeterlinck's 'The Blue Bird' illustrated by Cayley Robinson and a copy of Chaucer's 'Troilus and Cressida' illustrated by Eric Gill (9)

the sides painted with bands of stylised motifs, 29cm high

19th century, the oval top married to a baluster turned stem, with a triform base and compressed bun feet, 73cm high x 69cm wide x 53cm deep

decorated with repousse work, stamped sterling, together with another ivory example (2)

19th century, stamped C. Hindley & Sons, London, with a three-quarter galleried top, above a panelled door opening to a shelved interior, on a pedestal base, 77cm high x 39cm wide x 37cm deep

inscribed to the base "Wendover Billy", 14cm; and two other dog models (4)

Near Farnham, Hampshire (John Beardmore), lithographs by E. Fudge

with a tooled leather top above a central drawer stamped Maple & Co., flanked either side by four drawers and fluting on castors

the silk pleated panel painted with flowers within a lace border, 43cm; and another silk fan, the grey painted splines decorated with polychrome, silver and gilt flowers and leafage, within a feathered border, 36cm (2)

the cream enamel chapter ring with Arabic numerals, within a gilt fretwork mask, in a brass case with fretwork panels, 15cm high, including the handle

the baluster sides with striped decoration, 21cm high

18th century, with polychrome floral and gilt highlighted patternation, 37 pieces approximately (a lot)

number 193 of 380 copies signed by the artist, tipped-in plates, additional signed colour plate in pocket at rear, publ. William Heinemann Ltd., London, ex. Libris Oliver Sylvain Baliol Brett, 3rd Viscount Esher; together with another similar pictoral work by Beerbohm, 'Rossetti and His Circle', number 263 of 380 copies signed by the artist, also ex. Libris Oliver Sylvain Baliol Brett, 3rd Viscount Esher and two further volumes (4)

1879, woodblock print on paper, 35.5cm x 24cm

1879, woodblock print on paper, 35cm x 24cm

1879, woodblock print on paper, 34.25cm x 24.5cm

1879, woodblock print on paper, 37.25cm x 25.5cm

circa 1850, woodblock print on paper, 34cm x 22.75cm

1856, woodblock print on paper, 36cm x 24.5cm

mid 19th century, woodblock prints on paper, across three separate sheets, 37.5cm x 25cm; 34cm x 25cm and 25.5cm x 18cm (3)

1897, woodblock prints on paper, across three separate pages, 35.5cm x 24cm (3)

1891, woodblock print on paper, 35.5cm x 24cm