Interiors

the Goddess of flowers and Spring depicted standing full-length, her arm resting on a basket and her cornucopia beside her, ink and sepia wash on paper, 26cm x 20.5cm

20th century, with scrolling arms, on tapering fluted legs, 89cm high x 64cm wide x 70cm deep

'Rackham's illustrated versions of 'A Christmas Carol' by Dickens, 'A Midsummer Nights Dream' by Shakespeare, 'The Springtide of Life, Poems of Childhood' by Swinburne and 'The Ingoldsby Legends'; and Dulac's illustrated versions of 'The Tempest' by Shakespeare, 'Stories from Arabian Nights' and Dulac's Picture Book for the French Red Cross; together with a copy of Maeterlinck's 'The Blue Bird' illustrated by Cayley Robinson and a copy of Chaucer's 'Troilus and Cressida' illustrated by Eric Gill (9)

the sides painted with bands of stylised motifs, 29cm high

19th century, the oval top married to a baluster turned stem, with a triform base and compressed bun feet, 73cm high x 69cm wide x 53cm deep

decorated with repousse work, stamped sterling, together with another ivory example (2)

19th century, stamped C. Hindley & Sons, London, with a three-quarter galleried top, above a panelled door opening to a shelved interior, on a pedestal base, 77cm high x 39cm wide x 37cm deep

inscribed to the base "Wendover Billy", 14cm; and two other dog models (4)

Near Farnham, Hampshire (John Beardmore), lithographs by E. Fudge

with a tooled leather top above a central drawer stamped Maple & Co., flanked either side by four drawers and fluting on castors

the silk pleated panel painted with flowers within a lace border, 43cm; and another silk fan, the grey painted splines decorated with polychrome, silver and gilt flowers and leafage, within a feathered border, 36cm (2)

the cream enamel chapter ring with Arabic numerals, within a gilt fretwork mask, in a brass case with fretwork panels, 15cm high, including the handle

the baluster sides with striped decoration, 21cm high

18th century, with polychrome floral and gilt highlighted patternation, 37 pieces approximately (a lot)

number 193 of 380 copies signed by the artist, tipped-in plates, additional signed colour plate in pocket at rear, publ. William Heinemann Ltd., London, ex. Libris Oliver Sylvain Baliol Brett, 3rd Viscount Esher; together with another similar pictoral work by Beerbohm, 'Rossetti and His Circle', number 263 of 380 copies signed by the artist, also ex. Libris Oliver Sylvain Baliol Brett, 3rd Viscount Esher and two further volumes (4)

1879, woodblock print on paper, 35.5cm x 24cm

1879, woodblock print on paper, 35cm x 24cm

1879, woodblock print on paper, 34.25cm x 24.5cm

1879, woodblock print on paper, 37.25cm x 25.5cm

circa 1850, woodblock print on paper, 34cm x 22.75cm

1856, woodblock print on paper, 36cm x 24.5cm

mid 19th century, woodblock prints on paper, across three separate sheets, 37.5cm x 25cm; 34cm x 25cm and 25.5cm x 18cm (3)

1897, woodblock prints on paper, across three separate pages, 35.5cm x 24cm (3)

1891, woodblock print on paper, 35.5cm x 24cm