Art & Design post 1880

of baluster form, the body decorated with floral motifs in the manner of William De Morgan, 39cm high

in the form of a head, stamped to the underside, 30cm high

in the leaf and berries pattern, each with impressed and/or painted marks, 29cm dia. (9)

with stylised gold and red lustrous decoration to the pink-glazed body, marks to base, 27.5cm diameter

the pull off cover with shell decoration and loop handle, the main body repousse decorated with three galleons in full sail, stamped to the underside, 12cm high x 15cm wide

decorated with a border of fish and clam shells, 41.75cm x 57.5cm

in the manner of Archibald Knox for Liberty & Co, each with stamped numbers '0226' to the underside, 19.5cm high; together with a similar pewter cigarette box, the hinged cover with enamelled lettering 'Cigarettes', stamped number 0414 to the underside, 16.5cm wide x 12.75cm deep x 6.5cm high (3)

Provenance: The Estate of the late Rufus Eyre

of balloon form with plain white dial, stamped to the underside "0115 2 English Pewter made by Liberty & Co", 16.25cm high; together with a Tudric pewter oval tray tray with planished decoration, numbered 0551, 30.5cm wide (2)

the dial with Arabic and baton numerals, inscribed " Jaeger-LeCoultre, Atmos", in a five glass and brass case, 23.5cm high x 21cm wide x 16.5 deep

probably Italian, each with an approximately 27cm drop

with five drops each with a blue glass exterior shade and an orange glass interior shade, with 'Vistosi' label, 196cm drop as currently wired

c. 1960's, of naturalistic design, stamped "Bodil Marie Nielsen, Denmark", the body 27.5cm long

manufactured by H.F. Belysning, copper finish, the upper bowl serving as the light shade, the lower bowl to be used as a planter, each bowl 45cm diameter, retaining the apparently original cardboard box

manufactured by H.F. Belysning, chrome finish, the upper bowl serving as the light shade, the lower bowl to be used as a planter, each bowl 34.5cm diameter

modelled with arms folded leaning against a tall post, on a rectangular base, initialled 'H.S.' and numbered 1/7, bronze, 161cm high

of abstract geometric design, with bold colours on a grey ground, 280cm x 190cm

Provenance: The Devonshire Club, Spitalfields, London

with grey ground and all over repeated pattern of abstract purple and blue splashes, 280cm x 240cm

Provenance: The Devonshire Club, Spitalfields, London

Solid teak and braided canework armchairs, the seat bottom and back tilting slightly rearward, double lateral of 'compass' type forming a support for the flat armrests and connected by a low rail at the front, 78cm high x 63cm wide x 73cm deep

Provenance: Part of an Important Private Collection of Furniture by Pierre Jeanneret for Chandigarh

Solid teak and braided canework armchair, the seat bottom and back tilting slightly rearward, double lateral of 'compass' type base joined by a spacer and forming a support for the flat armrests, 76cm high x 65cm wide x 66cm deep

Provenance: Part of an Important Private Collection of Furniture by Pierre Jeanneret for Chandigarh

Solid teak and braided canework armchair, the seat bottom and back tilting slightly rearward, double lateral of 'compass' type forming a support for the flat armrests and connected by a low rail at the front, 78cm high x 63cm wide x 73cm deep

Provenance: Part of an Important Private Collection of Furniture by Pierre Jeanneret for Chandigarh

Known as 'Office cane chair' or 'Secretariat Chair', the frame in solid teak with seat and backrest in braided canework, 'Compass' type double side leg assembly, with the legs connected by a crosspiece and supporting the armrest,slanted, slightly curved backrest, separate from the seat, 68cm high x 51cm wide x 57cm deep

Provenance: Part of an Important Private Collection of Furniture by Pierre Jeanneret for Chandigarh

Known as 'cane and teak wood armchair' with solid teak frames, the seats and backrests in braided canework, 'compass' type double side leg assembly, with the legs connected by two crosspieces and supporting the armrests, slanted, slightly curved backrest, attached to the seat by two supports at the bottom, one chair with white painted identification code “A.I.I.M.S. ST. HOSTEL” and the number “5” to one side and “A.I.I.M.S. HOS” and the number “4 77” to the other, the second chair numbered “83” in white,

Known as 'Cane wood seat back chair', in solid teak and braided canework, the solid 'banner' type backrest slanted and slightly curved, 'X' type double leg
assembly, with the legs connected by a rail at the back, 72.5cm high x 46cm wide x 51cm deep

This chair appears to be a variation of the model PJEC-010301 (next lot), designed alongside Indian architect Eulie Chowdhury

Known as 'Cane wood seat back chair', in solid teak and braided canework, the solid 'banner' type backrest slanted and slightly curved, 'X' type double leg
assembly, with the legs connected by a rail at the back, , 74.5cm high x 48cm wide x 50cm deep

This chair was designed alongside Indian architect Eulie Chowdhury (1923-1995)

Known as 'Dirty linen basket' in solid teak and wicker, the solid teak structure with panels of braided canework, solid opening top with hinges, white painted lettering BEP/66/40 to the side and BEP/DLB/9 to the back, 44.5cm high (closed) x 76cm wide x 44cm deep

The construction of the solid opening top in this example appear atypical to recorded examples, suggesting it is either a replacement or more likely a
rare variant due to bespoke craftsmanship

Known as 'Dirty linen basket' in solid teak and wicker, the solid teak structure with panels of braided canework, solid opening top with hinges, white painted lettering 'BEP/66/99' to the side and 'BEP/DLB/10' to the back, 44.5cm high (closed) x 76cm wide x 44cm deep

Student desk in solid teak and veneer, the rectangular top with drop down sides, standing on a pair of 'compass' type side legs with a supporting rail at
the back, white painted lettering V/315/ST. T/1 and black large letters“XV C 14” to the reverse, 70cm high x 121.5cm wide x 46cm deep

Provenance: Part of an Important Private Collection of Furniture by Pierre Jeanneret for Chandigarh

Late 19th / early 20th century, the rectangular back with moulded and curved arms and legs, the seat covered in buttoned magenta silk velvet, stamped four times '4', 96 cm high, at rest

the double doors enclosing fitted internal shelves and a cutlery drawer, raised to tapered legs, 84cm high x 122cm wide x 46cm deep

Provenance: Private Collection, Dorset

with red leather upholstered back and seat on chrome legs, stamped to the underside with the E Kold Christensen mark, 72cm high x 63cm wide x 75cm deep

Provenance: Private Collection, Dorset

model no. 6725, designed 1964 as ‘The Bucket Chair’ and produced by Kill International, leather and aluminium, 84cm high x 68cm wide x 61cm deep

Provenance: Gulf International Bank, London

model no. 6725, designed 1964 as ‘The Bucket Chair’ and produced by Kill International, leather and aluminium, 84cm high x 68cm wide x 61cm deep

Provenance: Gulf International Bank, London

model numbers 75/83 and 915, the black lacquer top and undershelf with curved sides, the Finnish birch frame bent into a closed curve, 59cm high x 60cm wide x 49.5cm deep

with solid dished top above a lower magazine shelf strung with paper cord, label to the underside, 119cm wide x 49cm deep x 43cm high

with paperclip base connectors, black vinyl seat and back pads, one probable reproduction, each 76cm high x 53.5cm wide x 42cm deep (4)

the smoked glass circular top on a tubular steel frame, the top 104.5cm diameter, 74cm high

c.1971-1973, upholstered in dark brown leather and featuring Bellini's characteristic capitonné design and innovative system of cables, hooks and rings created by Bellini, which defines its characteristic look and modularity, each 96cm x 90cm x 35cm

c. 1973-79, upholstered in buffalo leather and featuring Bellini's characteristic capitonné design and innovative system of cables, hooks and rings created by Bellini, which defines its characteristic look and modularity, labels to the underside, each section 65cm high x 92cm deep, the larger seats 85cm wide, the narrower seat 60cm wide,

the rectangular top with canted corners raised on four pairs of conjoined tubular legs, 120cm square, 39cm high

the segmented glass panels with foliate decoration, some with colour, 165cm high x 100cm wide. Provenance: Acquired from the Walker Gallery, Harrogate, North Yorkshire, 25th April 2001, for £3,650

of architectural form, the rectangular top above a partially open freize with two flush fitting end drawers, standing on four flat rectangular legs, 180cm wide x 90cm high x 42.5cm deep

Provenance: Private Collection, Somerset

the sides and legs with all-over contrasting sculpted facets, 158cm wide x 79cm high x 43cm deep

Provenance: Private Collection, Somerset