Art & Design post 1880

a study of a dancer with arms outstretched and right leg raised, signed lower right, pencil and watercolour, 30cm x 24cm

Provenance: 'Maillol och Rodin' Svensk-Franska Konstgalleriet, Stockholm, 1947, catalogue number 241a, number 75
to be sold with a copy of the catalogue
Private Collection, Ireland
Private Collection, Dorset

a head and shoulders length portrait of a gentleman wearing a white coat, twice stamped 'A. WATERLOW STUDIO COLLECTION' verso, oil on canvas, 50cm x 40cm

a pair of village street scenes, each monogrammed, titled and dated 1917 lower left, pastels, 19cm x 25cm (2)

Provenance: With Julian Hartnoll, Duke Street, St. James's, London SW1
Westvale, Nailwell, Bath. The former home of Baron and Lady Craigmyle

1899, the artist's first wife depicted three-quarter length seated in a chair reading, red and cream chalks on grey paper, 41cm x 29cm

Provenance: From the Collection of William Crampton Gore (1871-1946)
William Crampton Gore was an Irish artist, who befriended Augustus John whilst studying at the Slade from 1900-1904. The two artists shared a studio.
Private Collection, Ireland
Private Collection, Dorset

three-quarter length, red chalk on paper, 28cm x 19cm

Provenance: From the Collection of William Crampton Gore (1871-1946)
William Crampton Gore was an Irish artist, who befriended Augustus John whilst studying at the Slade from 1900-1904. The two artists shared a studio.
Private Collection, Ireland
Private Collection, Dorset

c. 1905, etching, the image 16cm x 9.5cm

Provenance: Private Collection, Ireland
Private Collection, Dorset

a full-length portrait of Mrs Chadbourne, signed lower right, pencil on paper, 52cm x 34cm

Provenance: With Arthur Tooth & Sons Ltd., Bruton Street, Mayfair, London W1

c. 1952, signed lower right, titled in pencil verso, oil on panel, 24cm x 32cm

Provenance: Purchased directly from the Artist and remaing in the same private family collection to the present owner

oil on canvas, 91cm x 64cm

Provenance: Private family collection, Dorset, formed over generations, this painting personally selected by Edward Wolfe RA (1897-1982), a family friend

signed lower right, oil on canvas, 57cm x 49cm

Coastal landscape, signed lower right, titled verso, oil on canvas laid on board, 31.5cm x 42.5cm

Exhibited: I Mostra Internazionale D'Arte Coloniale, Palazzo delle Esposizioni, Rome, 1st October - 30th December 1931

signed and dated 1915 lower right, oil with impasto on board, 34cm x 44cm

with pencil inscription "Self Portrait - Stanley Spencer" to the margin lower left and numbered 19/75 lower right, dedicated to John Rothenstein and dated, 1913 within the plate, lithograph, the image 34.5cm x 21.2cm

signed lower right, oil on canvas, 32cm x 40cm

signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 237, limited edition offset lithograph from the edition of 850 published in 1972 by Adam Collection Ltd, the image 40cm x 50.5cm

signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 499, limited edition offset lithograph from the edition of 850 printed in 1972 by Adam Collection Ltd, the image 52.5cm x 70.5cm

signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 533, limited edition offset lithograph from the edition of 600 published by the Adam Collection in 1973, the image 47cm x 70.5cm

signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 834, limited edition offset lithograph from the edition of 850 printed in 1973 by Venture Prints Limited of Bristol, the image 26cm x 50.5cm; together with the companion study 'Deal' signed in blue ballpoint lower left, Fine Art Trade Guild blindstamp lower left equating to 120, limited edition offset lithograph from the edition of 850 printed in 1973 by Venture Prints Limited of Bristol, the image 17cm x 25cm

signed in pencil to the margin lower right, Fine Art Trade Guild blindstamp lower left equating to 556, limited edition offset lithograph from the edition of 850 published by Venture Prints Ltd. in 1972, the image 40cm x 55cm

signed in pencil to the margin lower left, Fine Art Trade Guild blindstamp lower left equating to 710, limited edition offset lithograph from the edition of 850 published by Henry Donn in 1973, the image 41cm x 56.5cm

a set of twelve woodcut engravings, each representing a month of the year: 'January - Lambing', 'February - Lopping', 'March - Threshing', 'April - Sowing', 'May - Sheep Shearing', 'June - Hay-Making', 'July - Cottage Gardens', 'August - Harvesting', 'September - Apple-Picking', 'October - Cider-Making', 'November - Ploughing' and 'December - The Fat Stock Market' (12)

Provenance: Westvale, Nailwell, Bath. The former home of Baron and Lady Craigmyle

A parade of figures lining up to enter a house, signed, titled and dated lower right, oil on canvas, 41cm x 51cm (unframed on stretcher)

signed lower right, oil on canvas, 54cm x 37cm

Provenance: The Storran Gallery, London W1
The Collection of Sir Michael Sadler (1861-1943)
Purchased from The Redfern Gallery, London W1, July 1944 by Mrs Eicholz
Private Collection, Somerset

signed lower right, oil on canvas, 34cm x 70cm

looking along Whitehall, with a Cavalry soldier in Mounted Review Order and Nelson's column beyond, signed lower left, mixed media on paper, 54.5cm x 57cm

lithograph, 34cm x 90cm; together with a similar work 'The Royal Society Tercentenary Celebrations opening by HM The Queen, Patron, 19 July 1960', lithograph, 30cm x 90cm (2)

signed lower left, titled verso, oil on board, 24cm x 54cm

circa 1932, oil on canvas, 27cm x 35cm

Provenance: Private Collection, Dorset

Exhibited: The London Artist’s Association label verso, presumably from the Artist’s first ever solo exhibition in 1932

monogrammed and dated '74 in ink, gouache and Indian ink on grey artist's paper, 51cm x 79cm

Provenance: The collection of Peter Lewis, a friend of the artist
Peter Lewis was a contemporary of Pasmore at St Martin's School of Art and then a post-graduate student at the Royal College of Art.
Albion Gallery, Dryden Street, London WC1
Private Collection
Tempus Gallery, Regent Street, London, W1B
Private Collection, Bath

landscape view, oil on canvas, 33cm x 41cm

c. 1983, signed lower right, watercolour and mixed media on paper, 59cm x 87cm

Provenance: Flowers East, Richmond Road, London

oil on paper, 39.5cm x 55cm

oil on board, 20.5cm x 29cm

signed and dated '63 lower right, oil on canvas, 50cm x 40cm

Provenance: Purchased from Cork Street Gallery, 24th January 1968
Private Collection, Somerset

probably the garden of the Old Rectory, Litton Cheney, Dorset, the home of the artist, signed, numbered 130/150 in pencil to the margin, also inscribed "10", monogrammed in plate, woodcut, the image 7cm x 11cm

monogrammed lower right, oil on board, 30cm x 40.5cm

monogrammed lower right, oil on board, 30cm x 40cm

waves violently crashing against the rocks, oil on board, 24cm x 34cm

street scene with figures, signed lower right, titled verso, oil on canvas, 39cm x 53cm

1946, signed lower left, titled and inscribed verso, oil on canvas board, 37cm x 23cm

Provenance: Purchased from Crane Kalman, London, SW3, 10th May 1979

1989, abstract composition, signed, titled and dated verso, oil on board, 69.5cm x 59.5cm

Exhibited: Chesil Gallery, Portland in 1994

Provenance: Acquired directly from the Artist

abstract composition, signed and dated lower right, mixed media on paper, 57cm x 79cm

Provenance: from the family of the Artist

abstract composition, signed and dated lower right, mixed media on paper, 58cm x 45cm

Provenance: From the family of the Artist

abstract composition, signed and dated lower right, mixed media on paper, 57cm x 79cm

Provenance: From the family of the Artist

abstract composition, signed and dated lower right, acrylic on paper, 52cm x 74cm

Provenance: From the family of the Artist

abstract composition, signed and dated lower right, acrylic on paper, 40cm x 56cm

Provenance: From the family of the Artist

1996, signed and numbered 514/550 in pencil to the margin, offset lithograph on wove paper, published by Bow Art in 1996, with their blindstamp, 32cm x 40.5cm (unframed)

signed lower left, watercolour, 27.5cm x 38cm

Provenance: The Torrance Gallery, Edinburgh