Art & Design post 1880

monogrammed, titled and dated 13.V.1907 in pencil lower right, pencil and colour, 10cm x 16.75cm

Provenance: The Collection of Maxwell Ashby Armfield
Private Collection, Wiltshire

watercolour, 16cm x 22cm

inscribed "Peter" and dated 14.12.08 lower right, pencil, 16.5cm x 12cm

Provenance: Private Collection, Wiltshire

A costume design for 'Miriam - Sister of Moses' with inscription below, monogrammed lower right, watercolour and pencil, 35.5cm x 22cm

Provenance: Private Collection, Wiltshire

possibly a costume design or illustration, pencil and chalk, 23.5cm x 18cm

Provenance: Private Collection, Wiltshire

pencil and chalk on paper, 16cm x 21cm; together with a similar smaller view of the same Temple, pastels, 10cm x 17.5cm (2)

Provenance: A gift from the Artist's executor A.A. Ballard
Private Collection, Wiltshire

monogrammed, titled and dated in pencil lower right, pencil and pastel, 23.5cm x 21.5cm

Provenance: Private Collection, Wiltshire

monogrammed, titled and dated '67 in pencil lower right, pencil and pastel, 22cm x 21.5cm

Provenance: Private Collection, Wiltshire

buildings on a hillside, titled lower left, pencil and chalk on paper, 23cm x 17.5cm

Provenance: Private Collection, Wiltshire

pastel, 21cm x 21cm

Provenance: Private Collection, Wiltshire

pencil and colour on paper, 8cm x 20cm

Provenance: Private Collection, Wiltshire

mixed media on paper, 13.5cm x 16cm

Provenance: Private Collection, Wiltshire

with faint inscription centre right, dated 27.10.69 in pencil lower right, pencil and colour on paper, 19.5cm x 21cm

Provenance: A gift from the Artist's executor A.A. Ballard
Private Collection, Wiltshire

dated Nov. 26 (19)53 in pencil upper right, pencil and colour, 15.5cm x 12.5cm

titled and dated 1968 verso, tempera on panel, 21cm x 31cm

Provenance: Acquired from the Artist's executor A.A. Ballard in 1969
Private Collection, Wiltshire

titled verso, Flemish tempera on copper, 12.5cm x 16.25cm

Exhibited: Finlay Gallery, New York, NY, USA
Provenance: Acquired from the Artist's executor A.A. Ballard in 1989
Private Collection, Wiltshire

initialled lower right, oil on board, 17.5cm x 18.5cm

Exhibited: The Fine Art Society, 148 New Bond Street, London, 1978
Maxwell Armfield, Southampton Art Gallery, 1978
Provenance: Private Collection, Wiltshire

monogrammed lower right, titled verso, Flemish tempera, 23cm x 30cm

Exhibited: 'Homage to Maxwell Armfield' The Fine Art Society, 148 New Bond Street, London, 1970
Provenance: Private Collection, Wiltshire

monogrammed lower right, titled verso, Flemish Tempera on board, 30cm x 23cm

Exhibited: 'Homage to Maxwell Armfield' The Fine Art Society, 148 New Bond Street, London, 1970
Provenance: Private Collection, Wiltshire

still life study of lowers and a conch shell, monogrammed and inscribed lower right, tempera on board, 34.5cm x 25.5cm

Provenance: Private Collection, Wiltshire

Margaret Armfield nee Maxwell , depicted bust-length in a faux surround with Maxwell Clan crest depicting a stag couchant before a holly bush below the motto "Reviresco" (I flourish again) lower right, monogrammed lower left, Flemish tempera and gesso on cox paper laid on board, 37cm x 29.5cm

dated 1914, 13.25cm x 11.75cm, framed and glazed

Provenance: A gift from the Artist's executor A.A. Ballard
Private Collection, Wiltshire

4th variant, signed 'Renoir' in the print, lithograph, 32cm x 23cm

A portrait of a young lady, depicted half-length seated with her hands resting in her lap, signed twice in pencil to the canvas verso, oil on canvas, 60cm x 40cm

signed lower right, oil on canvas, 82cm x 70cm

signed lower left, oil on panel, 26cm x 21cm

signed lower right, pencil on paper, 9.5cm x 10cm, mounted in an autograph book

signed in pencil to the margin, etching, the image 37cm x 37cm

signed lower left, watercolour, 26cm x 30.5cm

Provenance: Walker Art Galleries Ltd., Harrogate, North Yorkshire

landscape view, signed, titled and dated 1923 lower left, watercolour, 26cm x 36cm

signed lower left, further signed, titled and dated June 1932 verso, oil on board, 44cm x 56cm

As well as an Artist in his own right, Norman Darnton Lupton and his sister Agnes Lupton (1874-1950) were pre-war collectors of English watercolours who built and lived at Hyde Crook, Dorchester, in Dorset. They bequeathed the collection to Leeds City Art Gallery.

a pair of still life studies of flowers in vases against a black background, each titled lower left and signed lower right, oils stencilled on silk, each 20cm x 17.5cm

from Toesca's 'Six Contes Fantasques' numbered 197/225 in pencil lower left, drypoint etching, signed within the plate (number and signature possibly spurious), the image 32.5cm x 25cm

Provenance: Bearing label verso for The Redfern Gallery, dated January 17th 1959, although the work is titled 'Profil de jeune fille'

signed within the plate, bears facsimile signature, numbered 94/400 in pencil to the margin, limited edition lithograph published by the Redfern Gallery Ltd London, 1959, the image 34cm x 51cm

inscribed "From E.G." lower right, woodblock print, 16cm x 11cm

Vorticist style abstract composition, signed and dated 1942 lower left, watercolour and pencil, 72cm x 49cm

Provenance: Exhibition label verso for the London Group Exhibition, New Burlington Galleries, London

flowers in a vase on a ledge, signed lower right, oil on panel, 50cm x 40cm

monogrammed lower left, oil on canvas, 37cm x 50cm

stamped verso, oil on panel, 20cm x 26cm 

Provenance: The Artist's Studio Sale, Christie's, London September 1984

signed and dated 1946 lower right, watercolour, 33cm x 45.5cm (unframed but mounted)

signed lower right, oil on canvas, 65cm x 77cm

with hilltop buildings and cypress trees to the foreground and the Apennines looming beyond, oil on canvas, 38cm x 53cm

Exhibited: The Royal Institute of Oil Painters, Artist recorded at 65 Victoria Road, Kensington, London, W8

oil on board, 29cm x 39cm

signed lower right, oil on board, 45cm x 30cm

Exhibited: Label verso stating that this work was exhibited at The Royal Academy in 1946, and a further tag attached verso reading that it was then showcased at the Spring Exhibition of Modern Art at the City of Bradford Art Gallery

signed lower right, oil on canvas, 65cm x 81cm (unframed on stretcher)

in the style of a traditional icon, print on linen, 80cm x 60cm; together with a similar style study of George and the Dragon, 95cm x 70cm (2)

signed lower left, ink on paper, 14.5cm x 22.5cm

monogrammed and numbered 40/99 in pencil to the margin, lithograph, the image 66cm x 49.5cm