Interiors

19th and 20th century, including incense burners, the tallest 84cm high (a lot)

20th century, inscribed with a verse from the Quran, 41cm high

late Edo/Meiji, a six-fold painted screen, each panel showing narrative scenes with figures and buildings in a landscape with mountains beyond, watercolour and bodycolour on paper with gold sprinkling, each painted panel 37" x 16.5", the screen measuring circa 66" x 125" overall

elements 17th century and later, with shallow arched cover, the front with three panels of chip carved decoration, on straight legs, 82cm high, 112cm wide

19th century, with green velvet buttoned covers, with a carved and shaped cresting rail, and distinctive outswept arms, on carved front legs and ceramic castors, 112cm high x 86cm wide x 90cm deep

20th century, the central medallion on a dark blue ground, within contrasting corner spandrels and borders, 300cm x 198cm

20th century, on out-turned block legs, 72cm high x 47cm wide x 42cm deep

From The Old Came Rectory estate, Dorset.

20th century, with leafy tendrils populating the central ground, 263cm x 170cm

signed and dated 1880 lower right, oil on canvas, 30cm x 50cm

19th century, the shaped cresting rails over carved and pierced back splats, with out turned arms, on moulded block legs, 95cm high x 66cm wide x 60cm deep (2)

For the comparable 18th century example see: https://www.stanleyweiss.com/item/sw02123

19th century, with graduating drawers, on turned feet, one detached but present, 102cm high x 107cm wide x 57cm deep

From The Old Came Rectory estate, Dorset.

20th century, in archaistic style, on wooden pedestal bases, the taller lamp 30cm high, the smaller 29cm high (2)

first half of the 19th century, with two short drawers above three long with bone escutcheons, on splayed bracket feet, 115cm wide x 106cm high x 50cm deep

260cm x 185cm

the circular top with inlaid chequerboard enclosing a fitted interior, above an octagonal column and turned supports and three cabriole legs, 45.5cm diameter x 71cm high

315cm x 222cm

20th century, the center with a martial scene, the border with chronographic figural scenes, each in a cartouche panel, 77cm diameter

18th century, the top with a bird-cage movement, on a turned stem, to outswept legs and pad feet, 72cm high x 83cm wide

19th century, with a single frieze drawer, on turned legs, 69cm high x 90cm long

20th century, designed after the writing table produced for Nostell Priory by the workshop of Thomas Chippendale, in 1766. The gilt-tooled leather writing surface sits above a single frieze drawer at each side. Each drawer is flanked by pedestal doors, opening to an arrangement of divisions on one side, and drawers to the other. With lions head grotesque orders applied to the surround, and further moulding to the door panels and aprons. With hairy lions paw feet. 81cm high x 204cm wide x 128cm deep

with a tapering, turned ebony and satinwood inlaid shaft on a circular pedestal base, 33cm high

20th century, with a central medallion on a dark blue ground, populated with leafy tendrils, within borders, 400cm x 294cm

20th century, converted to a table lamp, on a wooden base, the figure 30cm high

20th century, with brass placard mounts, 61cm high x 107cm wide x 17cm deep

20th century, stamped to the reverse 'Galvanitas NV Oosterhoot', 79cm high x 36cm wide x 39cm deep (2)

20th century, the bevelled circular plate within a floral moulded border, on a swagged stand to a pedestal base, 70cm high x 61cm wide

with brown leather buttoned upholstery on ceramic castors, Width 208cm; Height 76cm; Depth 89cm

the dark red ground populated with varying ghuls, within borders and guards, 180cm x 264cm

oil on panel, 45cm x 59cm

the sitter depicted half-length seated in a chair, wearing a lace bonnet, oil on panel, 21cm x 17cm

single bottle

Pomerol, 750ml, 13.5%, six bottles in original wooden case (lacking cover)

1 x Corton Clos de la Vigne au Saint Marcel Amance, 1979; 1 x Chateau Corbin Michotte Grand Cru Classe, Saint Emilion Grand Cru, 1987; 1 x Chateau Trianon Saint Emilion, 1994; 1 x Chateau Pavillon Cadet Grande Cru Classe Saint Emilion Grand Cru, 1990; 1 x Chateau La Tuilerie, Graves, 1978; 1 x Chateau Les Vielles Tuileries Cotes Bourg, 1986 (6)

1 x Cos D'Estournel Saint-Estephe, 1970; 1 x Chambolle Musigny Marcel Amance, 1983; 1 x Domaine de Chevalier Grand Cru Classe de Graves, 1970; 1 x Chateau La Tour du Pin Figeac Moueix Saint Emilion Grand Cru, 2004; 1 x Chateau La Croix Chantecaille Saint Emilion Grand Cru, 2004; 1 x Chateau Mayne Blanc Saint Emilion Grand Cru, 2005 (6)

20th century, the central medallion within curvilinear schemes of floral decoration, 188cm x 130cm (worn)

watercolour, 24cm x 30.5cm

20th century, with four large central medallions, 268cm x 77cm, together with another Caucasian runner, 20th century, 292cm x 82cm (2)

20th century, with a central medallion, within borders and guards, 218cm x 143cm

by L. Merley, in a fitted leather presentation case, 5.5cm diameter, c.89grams,

20th century, 238cm x 173cm

of square form and hinged lid, containing four glass decanters with gilt decorated borders, two bearing silver decanter labels by Hukin & Heath Ltd, London, first half of the 19th century, 19.5cm high x 19cm deep x 18cm wide

Circa 1920, with a brown leather exterior the top to read ' Mrs T.W.RUSSELL', the higned lid revealing a removable strapped basket, the interior of the lid with a label to read 'ASNIERES S/SEINE Louis Vuitton PARIS. 70. CHAMPS -ELYSEES NICE-4 JARDIN ALBERT 1er LILLE- 34 RUE FAIDHERBE LONDON 149 NEW BOND ST' stock number 448188, 50cm wide x 34cm deep

one of caricatures fighting with swords, the other fighting with brooms, in oval frames, 29.5cm wide

20th century, with two central medallion, 195cm x 120cm, together with a Persian wool rug, 226cm x 105cm (2)

signed and dated lower left, wash over pencil on paper, 35cm x 25cm

Provenance: A gift from Princess Beatrice, the youngest daughter of Queen Victoria, from Carisbrooke Castle, Isle of Wight

study of a tea clipper in choppy seas, signed and dated '73 lower right, watercolour, 39cm x 60cm; and another similar ship portrait (2)

20th century, the central ground occupied by repeating ghuls, 282cm x 126cm

Thames scene, signed in pencil to the margin, drypoint etching, the image 20cm x 25cm