Art & Design post 1880

the oval step and facet cut crystal scent bottle with an arrowhead stopper, the latter acid etched with a bell flower spray, c. 1950s, 11.5cm high; together with a similar foliate decorated scent bottle with silver collar, hallmarked for Sheffield, 1991, makers mark "HBH" for Harrison Brothers & Howson Ltd, 17cm high (2)

the bulb-shaped bodies embellished with swirling lines, the under-bases with a sixteen point star, the bottles with a glass stopper and silver neck mount, the 800 silver pull-off tops repousse decorated with two stylised flower heads, silver hallmarked with a Diana head with letter "A" for Vienna, additional makers mark "L&C", c. 1900, each 12cm high (2)

the facet cut bottle with zigzag lower section and acid etched decoration of sprays and floral motifs surmounted by a three dimensional Venus De Milo stopper with dauber, c. 1930s, the stopper identified in the 1933-47 Hoffmann catalogue, 15.5cm high

one with hinged silver wrythen pattern top, the collar engraved "Pauline", London, 1890, maker's mark "JTH" over "JHM" for Hukin & Heath, sterling lid with register number "483289", 11.5cm high; another with hinged silver top, silver collar, and glass stopper, Sheffield, 2000, maker's mark "RC" for Carr's of Sheffield Ltd., 10cm high; and another example with foliate silver collar and glass stopper, 12cm high (3)

of square-sided form, each side decorated with shells and foliate motifs within canted rectangular borders. the silver covers with bands of scrolls and leaf decorations, French hallmarks, retailed by Jules Marne, 5 Rue Froissart, Paris, the larger 17cm high, the smaller both 16cm high (3)

each of rectangular form, engraved in a double line pattern, silver-gilt engine turned screw top and glass stopper, hallmarked for London 1942, additional stamped letter "K", somewhat rubbed maker's mark "MN&WB" for Mappin & Webb, the taller 12.5cm high, the smaller 10.5cm high; together with an engraved crystal perfume atomiser with a silver plated and faux tortoiseshell pump action top, the top stamped "made in England", the pump stamped "pat. 26499E", c. 1920s, 14.5cm high (3)

the facet-cut body mounted with an embossed 14 carat gold prickwork and chase decorated hinged top, gold collar, and glass stopper, hallmarked with an oak leaf, c. 1880, 9cm high

of waisted form, the body cut to clear with diamonds and lenses, spring catch white metal top, stamped "London" to the internal disc, c. 1870, 8cm high; and two further scent bottles (3)

comprising: an ovoid wrythen moulded clear glass scent bottle with a cork lined plated screw top, c. 1900, 5.5cm high; a clear crystal scent bottle with a cork lined embossed silver top, the body cut with mitres and blades, c. 1900, 5.8cm high; a German clear crystal scent bottle with a silver screw top and metal sprinkler stopper, the body cut with rectangles, the top marked "830", c. 1930s, 7cm high;

comprising: A French crystal miniature scent bottle, of decanter form, the cork-lined silver-gilt twist off top with suspensory chain and finger ring, the ring stamped with a boar's head, c. 1880, 3cm high; an acorn-shaped facet-cut crystal vinaigrette scent bottle, with hinged silver top and suspensory ring, c. 1880, 4cm high; a round-cut crystal scent bottle with Maltese Cross stopper, the body cut with diamonds, a radial star, and cross hatching, the front engraved "M&JW 1885", 8cm high;

c.1905, the central glazed ceramic roundel decorated with a white poppy against a blue green ground, housed in a gilded bronze scrolling frame with three small shelves, 35cm high x 39cm wide x 10cm protuberance

possibly by Desvres, c. 1900, the nine tile mounted and framed panel featuring tubeline decoration of a bull taking water from a small pond, with trees and a cottage behind, 49.5cm high x 60cm wide

Hemixem, c. 1905, the twenty tile mounted panel featuring tubeline decoration of cascading wisteria and leaves on white, with a pale yellow strip across the top, 61cm high x 76.5cm wide

possibly by Desvres, c. 1900, the nine tile mounted panel decorated with a highly stylised water lily and pad design in white, aqua to dark blue, pale olive, and dark olive, fully marked to the backs, 45cm high x 45cm wide

"Humpty Dumpty", "Little Bo Peep", "See Saw Margery Daw, "Mary, Mary Quite Contrary", and "Little Jack Horner, transfer printed in brown on a cream ground, c. 1880, the back fully marked for Minton Hollins, Stoke on Trent, 18cm high x 79cm wide

the tiles decorated in partial relief polychrome with floral designs, maker's include Henry Richards and Rhodes, 82cm high to the top of the holder x 15.5cm wide

c. 1880, designed by Owen Gibbons, backs marked for Maw, Benthal Works, Broseley, one tile with label for the Beaulah Collection, 30.8cm high x 15.6cm wide; together with a framed set of three English tiles, transfer printed with attractive floral designs in blue and white tones, c. 1880-1900, 15cm high x 46cm wide (2)

one with relief moulded stylised flowers in crimson, purple blue, yellow, and mid olive green on pale green grounds, c. 1910, the reverse with impressed design numbers, Georg Schmider, Zell am Hammersbach, Germany, 18.5cm high x 34cm wide; the other with relief moulded stylised flowers in yellow, purple and dark olive green on mid and dark steel blue grounds, c. 1910, the reverse with impressed design numbers, Georg Schmider, Zell am Hammersbach, Germany, 18.5cm high x 34cm wide (2)

with relief decoration of stylised seed pods and whiplash leaves in pale olive green and brown tones, c. 1905, 20.5cm high x 39cm wide; together with a framed Montereau & Creil Art Deco two tile panel with relief moulded geometric design in white and cobalt blue either side of a stylised flower head motif in yellow and dark orange, the whole framed with a cobalt blue border, c. 1920s, the backs fully marked, 23cm high x 43cm high (2)

c. 1905, in complimentary ochre and olive-green tones on cream grounds, the middle tile John Barratt, the right Henry Richards, 17.5cm x 48cm overall; together with a framed set of four relief daffodil tiles, also ochre and olive-green tones on cream grounds, 64cm x 18.75cm overall (2)

each decorated with figures in river landscapes, signed, each 27cm high x 16cm wide (2)

Born in Newport, Shropshire in 1843, William (Billy) Yale worked as a painter for Copeland from circa 1869-83, where he specialised in marine views and winter scenes. On leaving Copeland, he started his own studio as a 'Tile and Slab Decorator' in Stoke-on-Trent, buying in blanks from local potteries and firing them in his own kiln

each transfer printed in sepia, burnt orange, and pale green and featuring figures and animals in classical landscapes, c. 1890, target backs for Sherwin & Cotton, each 17cm x 17cm; together with a framed Sherwin & Cotton allegorical tile 'Water', 17.5cm x 17.5cm; a Decorative Art Tile Co. tile decorated with a swan and cygnets, reg. no "107519", 17.5cm x 17.5cm; and a Wedgwood 'Red Riding Hood' tile, 17.5cm x 17.5cm (5)

printed in brown, black, and cream, featuring a percussionist framed by ornamental designs, possibly designed by Henry Stacy Marks, 22.5cm x 22.5cm; together with a Wedgwood aesthetic movement tile printed in brown tones, featuring stylised flower and leaf designs above an earth and pebble layer, 15cm x 15cm; a Minton Hollins gothic revival tile transfer printed in pale brown, ochre, black, and white, 15cm x 15cm ;and a Maw & Co. encaustic tile with Greek key and foliate decoration, 20.5cm x 10cm (4)

five printed in black on cream grounds, the remainder printed in black on white grounds, impressed marks, each 15.25cm x 15.25cm (11)