Autumn Fine Art

second quarter 18th century, The rectangular grey-veined white marble top above a echinus moulding and key pattern frieze, supported by an eagle with spread wings standing on a rocky base, on a square pedestal, restorations, regilt, 91cm high x 143cm wide x 76cm deep

Provenance: with Hotspur, London, 1998.

by Bon Durand, third quarter 18th century, the triple-flap top inlaid à quatre-faces, enclosing a mirror-lined slide flanked by
two compartments with removable lidded boxes, the frieze with a silk damask-lined slide above a drawer, flanked by further drawers, on cabriole legs with foliate sabots, with two blue bordered labels ‘Sir James Horlick’, stamped twice ‘B. Durand’ and ‘JME’, 74cm high x 93cm wide x 53cm deep

by Bon Durand, third quarter 18th century, the triple-flap top inlaid à quatre-faces, enclosing a mirror-lined slide flanked by two compartments with removable lidded boxes, the frieze with a silk damask-lined slide above a drawer, flanked by further drawers, on cabriole legs with foliate sabots, with two blue bordered labels 'Sir James Horlick', stamped twice 'B. Durand' and 'JME', 74cm high x 93cm wide x 53cm deep

late 18th century, attributed to Pierre-Francois Guignard (1740-1794)
The rectangular top with slightly raised solid gallery, between four turned tapering uprights with spirally-reeded cone finials, each end with three spindles, on brass caps, 140cm high x 132cm wide x 39cm deep

attributed to the Sevres manufactory, late 18th century,
of circular form with open central aperture with gadrooned collar and brass liner, the shallow bowl resting on a spreading socle, on a square plinth with foliate inset panels and ropetwist lower edge, on a bleu turquin marble foot, lacking cover, 26cm high x 25.5cm diameter

a mirrored compartment flanked either side by three drawers, with marquetry inlay, on slender scroll legs with gilt metal acanthus leaf mounts and sabot feet, 80cm wide x 134.5cm high

Provenance: The Estate of the late Rufus Eyre

mid-19th century, the folding tops with moulded borders opening to green baize lined interiors above a shaped frieze with marquetry floral inlay, on slender scroll legs with gilt metal acanthus leaf mounts and sabot feet, 91cm wide

Provenance: The Brymer family at Ilsington House, Puddletown, Dorset and by descent.

the casket-shaped top with slightly domed cover opening to a mirror and silk lined compartment, the crossbanded and quarter veneered fall front set with a porcelain panel painted with a winged cherub within an “ormolu” mount enclosing drawers and a green tooled leather writing surface, the canted corners flanked by classical caryatid figures and porcelain panels to the sides and back, on a stand with base drawer, slender cabriole legs and sabot feet, 43cm wide x 98cm high

the quarter veneered tops within a wide crossbanded border, the breakfront frieze set with three porcelain panels depicting rustic scenes after Watteau on a green ground highlighted with gilding, within gilt metal mounts, on slender scroll legs with “ormolu” caryatid mounts and sabot feet, 86cm wide

Provenance: The Brymer family at Ilsington House, Puddletown, Dorset and by descent.

the quarter veneered folding top with acanthus leaf and scroll marquetry border above an inverted breakfront frieze with rectangular parquetry panels on moulded slender scroll legs with “ormolu mounts” and leaf cast sabot feet, 95cm wide

Provenance: The Brymer family at Ilsington House, Puddletown, Dorset and by descent.

containing an 18th century petit point panel depicting the Finding of Moses within a border of summer flowers and scrolling foliage, the panel 90cm x 70cm, and the screen 144cm high x 87.5cm wide

the rectangular plate within a pierced scrolling foliate and floral surround surmounted by a projecting rococo leaf and flower pediment,
132cm high x 57cm wide

Provenance: A deceased Estate, Dorset.

circa 1800, the rectangular top cleated at each hinged side, with two frieze drawers to the front and conforming faux drawers at the back, on twin supports with a high arched stretcher and four splayed legs to brass caps and castors, 74cm high x 163cm wide (opened) x 66cm deep

Note: The unusual feature of the inclusion of cleated sides, to conform with the direction of grain of the drop leaves, is seen in other tables stamped Gillows

of architectural design, apparently retaining the original rectangular plate beneath an entablature of ribbon-tied palmettes enclosed by a beaded border and flanked by cluster columns headed by female classical masks, 152.5cm high x 92cm wide

early 19th century, in the manner of Tatham, Bailey & Sanders or Thomas Parker, each inlaid overall en premiere partie and en contre partie, with densely scrolling foliage, the circular top with gadrooned edge on a baluster column and three legs with an eagle’s claw-and-ball feet, 65cm high x 48cm diameter

early 19th century, the rectangular top with rear gallery with anthemions, the gadrooned edge to the top above four fluted tapering columns, on a solid base with deep incurved central recess, 128cm high x 268cm wide x 80cm deep

Provenance: The Earls of Lichfield,
London art market, 1997

First quarter 19th century, each of slightly curved rectangular form, with later giallo di Numidia top enclosing a later removable brass jardiniere tray, the panelled frieze on turned columns above a drawer, on paw feet, the backboard possibly originally mirrored, one drawer inscribed in pencil ‘N(?)1’, 83cm high x 57.5cm x wide x 43 cm deep

Second quarter 19th century, the hinged tilting oval top above a spreading rectangular pedestal and concave-sided shaped plinth, on scrolled feet and brass castors, the top of the pedestal inscribed in chalk 'LOT 142', 74 cm high; 160 cm. long; 118 cm. wide

the circular top with dentil moulded edging, on a lanceolate leaf carved and waisted baluster stem descending through a foliate carved collar to a triform base, on three scrolling foliate carved feet, stamped W.RIDDLE to the underside, 74cm high x 132cm diameter

first half 19th century, the curved padded back, seat and arms covered in sage green close-nailed buttoned leather, with a brass hinged arm with ratcheted reading-slope attached to one armrest, a brass hinged arm and dished tray on the other armrest, with pull-out ratcheted foot-rest, on scrolled legs and carved turned feet, on brass caps and castors, 108cm high

second half 19th century and later re-upholstered with red velvet, each end with a raised knop turned spindle, on eight knopped and waisted legs united by conforming multi-knopped stretchers, 67cm high x 186cm long x 52cm wide

19th century, with four graduated drawers, 85cm wide x 79cm high

Provenance: The Estate of the late Rufus Eyre

now with a panel of flame -stitch upholstery over an undulating apron and cabriole legs with knurled toes, 42cm high x 102cm wide x 74cm deep

mid-19th century, of George II style, the rectangular top with scrolled corner brackets, above a mirrored frieze and a pair of glazed doors with quatrefoil borders, enclosing a grey watered-silk lined interior with four shaped adjustable shelves, the lower section with a pair of glazed doors below a quatrefoil-pierced gadrooned waist moulding, on quatrefoil pierced legs with pierced angle brackets, 215cm high x 107cm wide x 37cm deep .

Provenance: The Brymer family at Ilsington House, Puddletown, Dorset an